印第安人传统月:书籍

Bearheart通过Gerald r . Vizenor Bearheart,杰拉尔德Vizenors第一部小说,推翻了OC终端creedsOCO颓废的物质文化和暴力。美国文明倒塌,依赖Cedarfair,他的妻子,罗西娜,和奇怪的门徒,被迫朝圣当政府特工下预订为燃料声称他们的神圣的香柏木。部落朝圣者扭转命运的情绪和旅行通过南部的白人世界的废墟的汽油用完了。”

柏林蓝调通过泰勒把海登

黑色的太阳通过丽贝卡Roanhorse

亵渎通过谢尔曼狼烟》 谢尔曼狼烟》的地位作为一个作家的故事,诗歌,小说和飙升的twenty-book, 20年的职业生涯。广泛,著名的故事过去二十年里,独行侠和印第安人互殴在天堂他最近的笔会/福克纳奖战争舞蹈,在现代文学确立了他作为一个明星。大胆的和生活的观察者在印第安人在太平洋西北地区,大胆,多才多艺,有趣,和无耻的狼烟》展示了他的天赋在他最新的集合,亵渎,他将十五与15个新故事的经典选为忠实的粉丝和第一次的读者。包括下面是他的一些最受人尊敬的故事,包括“你当我肯赎,”“这是意味着什么说,亚利桑那州凤凰城,”“世界上最艰难的印度,”和“战争舞蹈”。Alexie's new stories are fresh and quintessential--about donkey basketball leagues, lethal wind turbines, the reservation, marriage, and all species of contemporary American warriors. An indispensable collection of new and classic stories, Blasphemy reminds us, on every thrilling page, why Sherman Alexie is one of our greatest contemporary writers and a true master of the short story.

休息通过Katherena Vermette 的亚马逊。ca的第一部小说奖和入围了罗杰斯的作家的小说奖”和“信任总督的文学奖项,打破是惊人的和令人心碎的小说处女作《译林出版社Metis-Anishnaabe家庭处理的影响令人震惊的犯罪在温尼伯的北端。斯特拉的时候,一个年轻的梅蒂斯人的母亲,看起来她的窗口休息一晚上,地点有人陷入困境——一个贫瘠的荒野上一个孤立的土地在她的房子,她称警方提醒他们可能犯罪。在一系列的叙述,连接的人,都直接或间接的受害者——警察,家庭,朋友,告诉他们的个人故事,命运的那个晚上。卢,一名社会工作者,纠结于她的同居男友的离开。谢丽尔,艺术家,哀悼她的妹妹雨的过早死亡。还要一个单身母亲,努力相信她的新伙伴。凤凰城,一个无家可归的少年,从青少年拘留中心被释放。美逖斯警察官斯科特,感觉夹在两个世界之间,他巡逻。通过各种视角更大、更全面的关于生活的居民在温尼伯的北边是暴露出来。 A powerful intergenerational family saga, The Break showcases Vermette's abundant writing talent and positions her as an exciting new voice in Canadian literature.

仪式通过莱斯利Marmon Silko 伟大的美国本土小说的一个破旧的老兵回家医治他的思想和精神超过35年了原来的出版物,仪式仍然是最深刻的和移动的土生土长的美国文学作品,小说本身就是一个仪式的治疗。的二战老兵Tayo混合血统,返回到拉古纳普韦布洛预订。他被他的经历深深地伤痕累累作为日本的一个囚犯,进一步受伤的拒绝他遇到他的人。只有沉浸在印度过去他开始恢复和平,来自他。巧妙地写满忧郁的威严的普韦布洛神话,仪式是一个持久的力量。企鹅经典豪华版包含一个新序言和作者的介绍拉里马克穆特。七十多年来,企鹅经典文学作品的主要出版商在英语世界。有超过1700本书,企鹅经典代表全球最好的作品在历史上和书架在类型和学科。权威文本读者信任系列提供增强的介绍,指出当代杰出的学者和作家,以及最新的获奖译者翻译。

解决冲突的神圣的人通过她快乐 在这些诗中,快乐和每天的斗争是与人类的政治。在黑暗中开始在酒店房间里的一个遥远的城市,我们穿越历史和记忆的血泪之路弯曲Tallapoosa河的阿肯色河附近的一个地方。Stomp舞蹈歌曲、蓝调和爵士乐民谣回声。丢失的祖先是回忆道。有弹性的歌曲是天生的,即使他们悲伤的损失他们的国家。称为“魔术师和大师”(旧金山纪事报),她是快乐的她在解决冲突的形式为神圣的生命。

蜻蜓舞蹈:诗通过丹尼斯·k·Lajimodiere 蜻蜓舞蹈是一家集诗显著的坦率和洗涤。写作视角的美国的印度妇女,丹尼斯Lajimodiere打开一扇门进入本地女孩和妇女的生活。她的诗常常反映了深厚的本土文化和白人文化之间的紧张关系。     Reflected in Lajimodiere's poems, life is sometimes beautiful but rarely easy. "The Necklace," the narrator details how her mother repaired a favorite beaded necklace, "her arthritic fingers patiently / threading beads / on the long thin needle, weaving / night after night." When the necklace is finally repaired, she wears it to school where At recess a White boy ran by, yanked it off my neck and threw it. I watched as it ascended high above the blacktop, the beads glittered, scattering their light, a rainbow against gray skies.      Unadorned, direct, and often raw, these riveting poems sear their way into our imaginations, inviting us into a world we might never have known. We are richer for the knowledge.

即使我们呼吸通过安妮特Saunooke Clapsaddle 19岁的Cowney希渴望逃离家乡切诺基,北卡罗莱纳斯莫基山脉的核心。当一个暑期工作在阿什维尔的豪华的树林公园酒店和度假让他更近一步逃离山上摇篮和窒息他,他认为这是一个机会。经验介绍他美丽而神秘的埃西印章——一个年轻的切诺基的女人也是在酒店工作,梦想着更好的生活。与第二次世界大战在欧洲肆虐,度假村的临时住所轴外交官和他们的家属,谁作为战俘被关押。一个秘密房间变成了Cowney和埃西的地方可以躲避旅店的白人世界和想象他们的未来他们的家庭过去的阴影。外面的避难所,然而,种族主义和偏见永远不会落后,当的一个居民失踪的女儿,Cowney发现自己被指控绑架和谋杀。即使我们呼吸的调用元素骨,血和肉Cowney导航困难的社会、文化和种族分裂。被朋友出卖他信任,他开始挖掘更深的奥秘,他努力证明自己的清白,清楚他的名字。这丰富的处女作小说探讨了人类精神的不变的性质和物理存在的想法,所有的冲突和不公正,不会人类的持久的遗产。

瓶子的眼睛黑的一口花:诗通过杰克双向飞碟

越快越红路通过斯蒂芬·格雷厄姆琼斯 这个集合展示最好的作品斯蒂芬·格雷厄姆琼斯,职业生涯发展迅速的从黑色地下到主流。越快红路特性摘录琼斯的小说——包括去年决赛的女孩,快红路:素歌,不是为了什么,和Z的福音——和短篇小说,一些从未在书的形式发表。检查琼斯对美国文学的贡献以及黑色,西奥多·c·范小意。琼斯的引入使文学地图上。

飞行通过谢尔曼狼烟》 The best-selling author of multiple award-winning books returns with his first novel in ten years, a powerful, fast and timely story of a troubled foster teenager -- a boy who is not a "legal" Indian because he was never claimed by his father -- who learns the true meaning of terror. About to commit a devastating act, the young man finds himself shot back through time on a shocking sojourn through moments of violence in American history. He resurfaces in the form of an FBI agent during the civil rights era, inhabits the body of an Indian child during the battle at Little Big Horn, and then rides with an Indian tracker in the 19th Century before materializing as an airline pilot jetting through the skies today. When finally, blessedly, our young warrior comes to rest again in his own contemporary body, he is mightily transformed by all he's seen. This is Sherman Alexie at his most brilliant -- making us laugh while breaking our hearts. Simultaneously wrenching and deeply humorous, wholly contemporary yet steeped in American history, Flight is irrepressible, fearless, and again, groundbreaking Alexie.

少女时代通过梅丽莎Febos 国家书评奖奖全国畅销书λ文学奖项入围今年命名的最好的书之一时间* NPR *科斯克书评《华盛顿邮报》* *华盛顿独立审查的书籍*数百万*电动文学杂志*宽宏大量的男孩* *女士杂志*熵Passerbuys“无礼和原创。”-New York Times "Magisterial." -The New Yorker "An intoxicating writer." -The Atlantic "A classic!" -Mary Karr "A true light in the dark." -Stephanie Danler "An essential, heartbreaking project." -Carmen Maria Machado A gripping set of stories about the forces that shape girls and the adults they become. A wise and brilliant guide to transforming the self and our society. In her powerful new book, critically acclaimed author Melissa Febos examines the narratives women are told about what it means to be female and what it takes to free oneself from them. When her body began to change at eleven years old, Febos understood immediately that her meaning to other people had changed with it. By her teens, she defined herself based on these perceptions and by the romantic relationships she threw herself into headlong. Over time, Febos increasingly questioned the stories she'd been told about herself and the habits and defenses she'd developed over years of trying to meet others' expectations. The values she and so many other women had learned in girlhood did not prioritize their personal safety, happiness, or freedom, and she set out to reframe those values and beliefs. Blending investigative reporting, memoir, and scholarship, Febos charts how she and others like her have reimagined relationships and made room for the anger, grief, power, and pleasure women have long been taught to deny. Written with Febos' characteristic precision, lyricism, and insight, Girlhood is a philosophical treatise, an anthem for women, and a searing study of the transitions into and away from girlhood, toward a chosen self.

夜晚的记忆通过琳达LeGarde Grover Winner: Northeastern Minnesota Book Award - Fiction Upper Peninsula Publishers & Authors Association U.P. Notable Book Award​ Two lost sisters find family, and themselves, among the voices of an Ojibwe reservation  When Loretta surrenders her young girls to the county and then disappears, she becomes one more missing Native woman in Indian Country's long devastating history of loss. But she is also a daughter of the Mozhay Point Reservation in northern Minnesota and the mother of Azure and Rain, ages 3 and 4, and her absence haunts all the lives she has touched--and all the stories they tell in this novel. In the Night of Memory returns to the fictional reservation of Linda LeGarde Grover's previous award-winning books, introducing readers to a new generation of the Gallette family as Azure and Rain make their way home. After a string of foster placements, from cold to kind to cruel, the girls find their way back to their extended Mozhay family, and a new set of challenges, and stories, unfolds. Deftly, Grover conjures a chorus of women's voices (sensible, sensitive Azure's first among them) to fill in the sorrows and joys, the loves and the losses that have brought the girls and their people to this moment. Though reconciliation is possible, some ruptures simply cannot be repaired; they can only be lived through, or lived with. In the Night of Memory creates a nuanced, moving, often humorous picture of two Ojibwe girls becoming women in light of this lesson learned in the long, sharply etched shadow of Native American history.

毛皮女王的吻通过汤臣高速公路

鹿皮鞋雷声通过洛丽·玛丽·卡尔森 十个故事组成这个集合是原始的,原始的,和新鲜。虽然他们都是关于美国印第安人,他们一样不同从你之前读过的任何东西。超市收银台,冷湖上的小船在黎明时分,醉在健身房里跳舞,一个冰球比赛公共电视。这些背景的十大杰出作者创造了他们难忘的人物。他们的工作——深刻的和有趣的,讽刺和严重——提醒我们,美国印第安人的故事还远远没有结束,它每天都被写下来的。

我的身体是一本书的规则通过Washuta

鲸鱼的人通过琳达•霍根 生长在一个偏僻的海滨村庄,托马斯Witka只是嫁给了露丝,他心爱的从初级阶段。越南打仗,而是一个不幸的决定改变了他的一生:切断从他的印第安人社区,他父亲一个孩子和另一个女人。当他回家一个英雄,他发现他的部落冲突决定猎杀鲸鱼,灵性和重生的象征和生存的一种手段。最后,他将他的两个存在,只看到悲剧降临他留下的儿子。琳达•霍根, called our most provocative Native American writer, with "her unparalleled gifts for truth and magic" (Barbara Kingsolver), has written a compassionate novel about the beauty of the natural world and the painful moral choices humans make in it. With a keen sense of the environment, spirituality, and the trauma of war, People of the Whale is a powerful novel for our times.

瘟疫的鸽子通过路易丝Erdrich 普利策奖的入围,鸽子的瘟疫——一个松散的三部曲的第一部分,包括美国国家书获奖圆房子,然而,是一个引人入胜的小说在北达科塔州的一个小镇long-unsolved犯罪以及如何,年后,后果仍感受到社区和附近的印第安人保留地。虽然一代又一代过去了,镇的冥王星仍是被谋杀的一个农场的家庭。埃维莉娜竖琴——Ojibwe一部分,白色的一部分——是一个雄心勃勃的年轻女孩的祖父,家庭和部落历史的存储库,港口暴力的过去的知识。和判断安东Bazil Coutts见证,他比任何人都了解历史不公的重量。通过不同赢得三个难忘的叙述者的声音,集体两个交织社区最终走到一起的故事揭示最后痛苦的真理。畅销书作家路易斯Erdrich深入探究了充满水的历史不公和秘密保持太长时间的影响。

圆形的房子通过路易丝Erdrich 圆房子小说获得了美国国家图书奖。我们这个时代最令人敬畏的小说家之一——一个才华横溢的土著美国人的生活的记录者——路易斯Erdrich回到她畅销的领土,普利策奖决赛瘟疫的鸽子圆房子,运输读者Ojibwe预订在北达科他州。精美的故事告诉一个男孩步入成年后寻求正义和理解一个可怕的犯罪,颠覆和永远变换他的家人。铆接和悬疑的,可以说是迄今为止最具感染力的小说从爱的创造者医学、甜菜女王,宾果宫,Erdrich圆的房子是一个翻页文学小说的杰作——一个强大的关于成长的故事,一个神秘,和一个温柔的,移动的家庭小说,历史和文化。

塞布丽娜和科瑞娜通过卡莉Fajardo-Anstine 萦绕的首张故事收集在友谊,母亲和女儿,我们祖国的根深蒂固的真理,集中在拉丁裔土著血统的美国西部,用一个新的光源。卡莉Fajardo-Anstine磁故事收集生命呼吸到她的土著拉丁字符和他们居住的土地。丹佛在非凡的背景下,Colorado-a那样激烈的地方是exquisite-these女性在土地的方式浏览他们的生活——小心,优雅,安静的力量。在“甜心宝贝”中,祖先和传统是隐藏在地球,但在土地纠纷有提升的趋势。“任何进一步的西方”遵循性工作者和她的女儿离开自己的祖籍在科罗拉多州南部才发现外国,敌对的土地在加州。在从监狱“托米,”一个女人回家,发现自己高尚的城市,是一个影子的她从她的童年回忆。和标题故事,”塞布丽娜和科瑞娜,”丹佛的家庭陷入恶性循环的针对妇女的暴力行为,聚在一起只有通过仪式。塞布丽娜和科瑞娜是一个感人的故事的女性权力和被遗弃的普遍经验的探索,遗产,和一个永恒的家的感觉。

神圣的荒野通过苏珊的权力 二十一世纪家族的母亲的故事,神圣的荒野探索四个女人生活的不同的时代和背景的人一起恢复基础混乱的,混血女人,一个女人一直住美国梦,并发现它的胃空虚。这些家族的母亲可能wisdom-keepers,但他们却一点也不严厉,冷漠,他们是女性的欢乐和悲伤,冒着他们的心,有时这些他们喜欢他们的生活。小说通过时间漩涡,从今天的1620年代明尼苏达州的莫霍克族领地,古老的圣经的世界,带给生活的土著女人会被称为圣母玛利亚。家族的母亲透露秘密,预言的见解,轮流漫画和故事,所以痛苦的他们可以打破你的心,甚至强大到足以拯救世界。,抒情散文,神圣的荒野是一种新型的前所未有的必要性。

打捞的骨头通过Jesmyn病房 国家图书奖得主萨那出色的运动快的冒险故事……沃德写道如梦TIMES___________________________Hurricane卡特里娜飓风是建筑在墨西哥湾,威胁沿海城市木香索瓦,密西西比和每的父亲。他是一个十足的酒鬼,很大程度上缺席,它通常不是他担心家庭。每和她的三个兄弟囤积食物,但没有保存。最近,每不能降低食物她;在十五,她刚刚意识到她怀孕了。她哥哥Skeetah是偷偷为他的珍贵的斗牛的新垃圾碎片,一个接一个地死去。同时,兄弟兰德尔和初级试图在一个家庭长对孩子的玩耍和缺乏教养。随着小说的发展通过十二个戏剧性的天,这难忘的家庭,失去母亲的孩子牺牲对彼此,保护和培育,爱情是稀缺的,把自己去面对新的一天。___________________________熟练的……一种显而易见的欲望和悲伤的每一页……打捞的骨头有经典的光环的华盛顿邮报'Beautifully写…… A powerful depiction of grinding poverty, where somehow, amid the deprivation, the flame of filial affection survives and a genuine spirit of community is able to triumph over everything the system and nature can throw at it' DAILY MAIL

形状的本地非小说通过艾丽莎Washuta(编辑);特里萨沃伯顿(编辑) 正如一篮子的用途决定了它的材料,编织,和形状,也就是这篇文章的目的相关材料,编织,和形状。编辑艾丽莎Washuta和特里萨沃伯顿地面这一本由本地作家的散文在正式的篮子编织的艺术。使用编织技术,如卷和码布作为组织主题,编辑策划一个令人兴奋的的想象力,world-making抒情散文27当代本土作家从部落国家在龟岛变成一个精心制作的篮子里。本地非小说的形状特性的动态组合已有和新兴的本土作家,包括史蒂芬·格雷厄姆琼斯,Deborah米兰达Terese玛丽Mailhot,比利雷Belcourt,伊甸园罗宾逊,金正日TallBear。他们雄心勃勃、创意和远见卓识与体裁和形式展示滑,变形的可能性原生的故事。放在一起考虑,提供应对更广泛的实质性问题,口头表达,空间性和暂时性,继续动画的研究和实践在北美原住民的独特文学传统。

蜘蛛女人的孙女:传统故事和当代印第安女性写作通过葆拉·甘恩艾伦

这个伤口是一个世界通过比利雷Belcourt 获奖的新版本memoir-in-poems,反思生活作为一个奇怪的土著男人——用于在美国第一次“我其中的一个无可救药的浪漫主义者希望每一个口交是革命性的。”比利雷Belcourt's debut poetry collection, This Wound Is a World, is "a prayer against breaking," writes trans Anishinaabe and Métis poet Gwen Benaway. "By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we've been waiting for." Part manifesto, part memoir, This Wound Is a World is an invitation to "cut a hole in the sky / to world inside." Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where "everyone is at least a little gay." Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.

骗子:印第安人的故事:一个图形集合通过马特Dembicki 2010特立独行的奖,2011年伊索奖得主-儿童民间传说部分,和2011艾斯纳奖提名。  All cultures have tales of the trickster - a crafty creature or being who uses cunning to get food, steal precious possessions, or simply cause mischief. He disrupts the order of things, often humiliating others and sometimes himself. In Native American traditions, the trickster takes many forms, from coyote or rabbit to raccoon or raven. The first graphic anthology of Native American trickster tales, Trickster brings together Native American folklore and the world of comics.   In Trickster, 24 Native storytellers were paired with 24 comic artists, telling cultural tales from across America. Ranging from serious and dramatic to funny and sometimes downright fiendish, these tales bring tricksters back into popular culture. 

触发跳舞通过黛安娜Glancy谈到 米尔德恩1990年金球奖得主的p . Nilon少数小说奖触发跳舞,她的第一个故事的集合,黛安娜Glancy谈到需要我们不安的地方环境和人物都面临风险,即使动物悲伤。有时作者的声音,有时人物的声音,告诉我们他们的迁移,符号或文字。黛安娜Glancy谈到的人物行走在两个世界,试图构建一个白人和土著文化之间的中间地带。他们是幸存者的后代血泪之路。一些年轻人在聚会中跳舞与死者。费罗和Parnetta在五金店买一个冰箱在马斯科吉街,在Tahleqah,俄克拉何马州。更远的西部,靠近切克沙镇,Keyo不识字,而约瑟夫下沉,一个印度隐士,一天学一个单词。美国安娜记得她缺点作为一个母亲和她的艰苦的生活切罗基县东北部的收容所等待她的翅膀展开,这样她就可以离开这个地球。在标题故事,罗安悲哀的事实,人类有能力毁灭地球。他惊讶地发现创建和火葬会如此紧密的联系。 Even his father, when he feels death approach, demands to be cremated because "it's autumn in outer space." Roan's final vision in the sweat lodge is of the air red as leaves. He admonishes his people to be strong and responsible, to acknowledge that life is a sizeable endeavor. it.

而通过Layli长士兵 入围国家图书奖的诗歌而出生暗示母亲教的责任是拉科塔这一个问题:我知道是拉科塔吗?表示恐慌,血冲我尴尬。我知道我们的语言但是碎片呢?我会教她作品?直到一个朋友安慰,别担心,你和你的女儿一起学习。今天她在肩膀精益和站在阳光直接分享一首歌在吃饭,她父亲的语言。唱她用双手同时动作;我看她是在多个音乐。——从“而声明”而面临美国政府的强制性的语言反应,条约,和道歉美国土著民族和部落,反映了语言的好管闲事和表里不一的罪魁祸首。通过艺术名家的一系列简短的歌词,散文诗歌,长叙事序列,决议,和免责声明,Layli长士兵创造了一个出色的创新文本研究历史,风景,自己的写作,她的困境在国家关系。 "I am," she writes, "a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation--and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live." This strident, plaintive book introduces a major new voice in contemporary literature.